This article appeared in the March
issue of Family
Tree Magazine.
I submitted the image believed to be John Poe and
Sarah Threet for the analysis of the author, Maureen Taylor
______________
William Poe owns a number of identified pictures of
his Poe descendants. He actually has a whole illustrated family tree of his
ancestors posted online http://www.mindspring.com/~poefamily5/PoeFamilyTree.htm.
There’s just one problem picture--this double portrait. He’d like to know more about it.
He knows the double portrait once hung in Alma Poe
Walton’s house before his mother owned it. Poe’s mother thinks Alma and Poe’s
grandfather identified the pair as William Threet Poe’s (1817-1884) parents,
John Poe (1785-1859) and Sarah Threet (1794 - 1861) and that they were his
direct descendants.
It’s a confusing portrait. The life dates of the
couple and the clothing clues present in this picture don’t add up. Here are the problems:
- It’s a crayon portrait. Photographer’s created these images by
printing a light photograph and then artistically enhancing it using
charcoal, paints and crayons. The emphasis is on the word enhance. While
these pictures were artistic renderings of a photograph the original image
could also be updated or improved to remove flaws. Crayon portraits were
popular from the 1860s to 1900.
- Given the life dates of the two individuals this charcoal image
would have to be a copy of a daguerreotype. [Daguerreotypes date from 1840
to approximately 1860] Photographers could duplicate all types of pictures
so it’s possible that this is a copy. If that’s the case then the
photographic studio updated the woman’s clothing and hairstyle to reflect
fashions at the time it was created.
- Dresses with high puffed sleeves at the shoulder seam, small
collars and a pleated bodice date from the early 1890s not the 1850s. In
the 1850s women wore wide lace collars and sleeves with fullness on the
lower arm. While many women in the 1850s wore their hair over their ears
there was some variation.
- The man’s clothing in this picture doesn’t help with dating because
the details are not distinctive to any particular decade. While men in the
1890s were usually clean-shaven, it’s not unusual to find older men
maintaining a style from an earlier period.
The evidence in this portrait suggests the crayon
portrait was created in the 1890s. If the identification is correct then the
photographer copied an older photograph and substantially altered the
appearance of the woman’s dress to reflect the styles of the 1890s rather than
the 1860s.